DELMAS — The inaugural Delmas Community Theatre Festival was held on Saturday, 14 March 2026 at the Simon
Gondwe Sports Centre, drawing community members from morning until late. A full-day event showcasing local theatre,
dance and creative workshops.
The event featured theatre and dance performances, including Sarafina, Unleash, Welcome to Jozi, Iphepha, Amathamb,
Adam’s Ale, as well as traditional performances by Hope Traditional Dance and Kofifi Dance.
Event organiser Sherly Mthombeni said the festival exceeded expectations in its first year. “The event was well received by
the local community, with approximately 80% of attendees coming from surrounding areas,” she said.
The festival also included workshops focused on scriptwriting, physical theatre, and acting, led by industry practitioners such
as Khethukutula Dlamini, Mpho Malesa, Gift Ngobeni and James Sithole.
“The workshops were highly impactful, and many participants want more in-depth sessions in future,” Mthombeni added.
Performer Mandla Masuku, popularly known as “Mish Mosh,” praised the level of preparation and commitment shown by
participants. “The performances were outstanding. Groups came fully prepared and showed strong dedication to their craft,”
he said.
Masuku noted challenges, including limited resources and a lack of sponsorship, which affected catering and water
provision. However, transport and basic support were provided to participating groups.
Members of the Welcome to Jozi production, directed by Simon Mohale, described the festival as a valuable platform for
artistic growth and collaboration, noting that it provided an opportunity to share their passion with the community while
strengthening connections among artists.
Audience member Relebohile Ndebele, representing Rise Mpumalanga Talent and founder of Hope of Hopeless Youth
Centre, said the festival showcased strong local talent. “The festival was impactful and showcased the growth and potential
of local artists. Some performances were deeply emotional and powerful,” he said.
Ndebele highlighted a solo performance dealing with loss and a cultural piece by an elderly performer as particularly
moving, and praised Kofifi Dance as a standout act.
“Kofifi Dance was on another level, I didn’t just like it, I loved it,” he added.
Despite its success, organisers acknowledged areas for improvement, including marketing and funding. Ndebele suggested
expanding outreach to rural areas and farms to boost future attendance.
Mthombeni said the long-term goal is to grow the festival into a major cultural event in the region.
